POETRY
INDEX
About this book
About Windows Workshops
About the workshop games

SIMPLE STARTS
Amazing PushPoem Machine
Shoveha'penny
Springboard
Pete's Powerful Poetry Pipes
Fishing for Words
Tom Phillips Game
Maze
The Bomb
Presents
What's in the box?
The Great Escape
Expanding Words
Hear here!
Going Round in Circles
Open the door!
Anagrams and Acrostics
Shaping Up

BASIC CRAFT
Rhymeboard
Pocket Rocket Primary Rhymer
Rhyme Forms
Rhyme Forms2
Nursery Rhymes
Limericker
Aboard the Pentameter
Wet, Wet, Wet
Supersonnet
Cooking up a Pantoum
Time to Twist the tongue: Alliteration
What is it, like?: Metaphor
As...as: Simile
Comic Strip: Onomatopoeia


DIALOGUE
How Do you see yourself?
What do you think you're doing?
Where we're at
Who do you think you are?
Voices
City of Poems
Windows on the Mersey
Postcards
Pavement
Birds
World Game

INVENTIONS
Elementary poetry
Phantastic Phonetic Phactory
Boom
Yellow and Purple Prose
Dr. Squint's Colour Co-ordinator
Sensational poetry
A Sense of place

A poem is a fertile egg
Amazing Animals
Word spotter
Encounters
Pirates
Dinosaurs
The World Game-again
Horror
Circus of Calamities
Gardens
Windows in Space
Spells
The Art Game
New nursery rhymes
Other

NOTES
Notes for Playworkers
Notes for Teachers
Notes on being helpful

Invention : Circus of Calamities

Circus of Calamities originally formed part of clowning workshops, with juggling, make-up, etc., and was aimed at poems describing circus acts and atmosphere.
It was played on a wide chipboard ring, 8 feet in diameter, marked with concentric circles subdivided into sections each of which bore a letter.
On this ring each player performed various acts such as somersaults juggling, tightrope-walking. The section in which the act failed gave the player a letter - they played to gain three letters.
Then the player decided on things from a circus that began with the collected letters and used them to write a rhyming song about life in the circus.

However, the players themselves decided that the game was of a circus where everything went wrong and this led them to a more humourous approach.

Despite the wide range of writing on circus themes in childrens' literature, surprisingly few of the children we met had ever seen a circus - it was like a fairy story, they knew the characters and how they behaved, but without personal experience.


In such cases, where blandness often results from struggling for fictional actuality or against the dead weight of limited fixed ideas, an extra proposition helps to free up the writing: here the circus could have been suggested to be mysterious or crazy, in outer space or in your own house. But it was the disasters they wanted.

The poems were written out on card which was then curved and stapled or stuck into the shape of a clown's hat.
At one week-long workshop the children performed a circus which included the singing of their songs accompanied by a clown band, many amazing tricks, and a final gigantic twenty-a-side custard pie fight!


For further information on this sort of game click on games listed under INVENTION in the INDEX side bar.

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Windows Workshops © Dave Calder, The Windows Project ,1997,1998,1999